All Ignacio Pinazo Camarlench 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Paintings (From A to Z)       Details 
89593 Alegorea sobre la vendimia  Alegorea sobre la vendimia   1900(1900) Medium oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cyf
85468 Alegoria sobre la vendimia  Alegoria sobre la vendimia   Date c. 1900(1900) Medium Oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cjr
83460 El invierno  El invierno   Date 1885(1885) Medium Oil on canvas Dimensions 234 x 129 cm (92.1 x 50.8 in) cjr
85472 Emparrado  Emparrado   Date 1912(1912) Medium Oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cjr
89594 Emparrado  Emparrado   1912(1912) Medium oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cyf
81704 Enamorados  Enamorados   Date 1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cjr
85643 Enamorados  Enamorados   1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cyf
87084 Figura femenina sentada  Figura femenina sentada   Date 1880(1880) Medium Oil on canvas Dimensions 19 x 15.3 cm (7.5 x 6 in) cjr
91764 Figura femenina sentada  Figura femenina sentada   1880(1880) Medium oil on canvas Dimensions 19 X 15.3 cm (7.5 X 6 in) cyf
87098 Interior de alquerea valenciana  Interior de alquerea valenciana   1899(1899) Medium Oil on canvas Dimensions 44 x 62 cm (17.3 x 24.4 in) cyf
81958 Juegos icarios  Juegos icarios   Medium Oil on canvas Dimensions 106.7 x 81.6 cm (42 x 32.1 in) cjr
91395 La cruz del Molino en Godella  La cruz del Molino en Godella   1916(1916) Medium oil on canvas Dimensions 44 x 62 cm (17.3 x 24.4 in) cyf
28796 Learning by Heart  Learning by Heart   mk61 1898 Oil on canvas 107x107cm
96649 Portrait of Teresa Martinez  Portrait of Teresa Martinez   1872(1872) Medium oil on canvas Dimensions 63.2 X 48.5 cm (24.9 X 19.1 in) cjr
85566 Retrato de Dona Teresa Martenez  Retrato de Dona Teresa Martenez   1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cyf
81444 Retrato de Dona Teresa Martinez, esposa del pintor  Retrato de Dona Teresa Martinez, esposa del pintor   Date 1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cjr
77872 Retrato del Conde Guaki  Retrato del Conde Guaki   1903(1903) Oil on canvas 110 ?? 87 cm (43.3 ?? 34.3 in) cjr
81134 Retrato del Conde Guaki  Retrato del Conde Guaki   1903(1903) Medium Oil on canvas Dimensions 110 x 87 cm (43.3 x 34.3 in) cyf
83890 Self-portrait  Self-portrait   Date 1889(1889) Medium Oil on canvas Dimensions 66.3 x 49 cm (26.1 x 19.3 in) cjr
87744 Self-portrait  Self-portrait   1889(1889) Medium Oil on canvas Dimensions 66.3 x 49 cm (26.1 x 19.3 in) cyf
86552 Senora de Alvarez  Senora de Alvarez   1912(1912) Medium Oil on canvas Dimensions 75.3 x 100.5 cm (29.6 x 39.6 in) cyf
71916 Template:Es  Template:Es   Oil on canvas 100.5 x 71.5 cm
54420 The Pond  The Pond   mk235 19.5x41cm Oil on canvas

Ignacio Pinazo Camarlench
Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.

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